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The Year AI Messed With Our Heads
Journalism, anxiety, and learning to work with machines.
If you work with information for a living right now, you probably have two tabs open at all times. One is whatever you're working on. The other is a quiet existential crisis you keep minimising.
2025 was the year AI stopped being a "coming soon" headline and became ambient. It seeped into everything — workflows, pitches, propaganda, policies, and (more awkwardly) our relationships.
A 28-year-old entrepreneur told me he uses ChatGPT to reply to emotional friends because he's scared of "saying the wrong words." A 39-year-old I spoke to on a dating app confessed that he was feeding text exchanges into an AI tool to figure out what to do next. "It told me not to double text," he said, like the machine had issued a court order.
The more I heard these stories, the more unsettled I felt. If people are now using AI to buffer the discomfort of being human in real time — especially in moments that require empathy, intuition, awkwardness — what does that mean for journalism? For a profession built entirely on feeling more, on noticing what's off, on sitting with silences, on recognising the quote that cracks because it's clumsy, not because it's clean?

So I decided my last newsletter of the year should try to make sense of how we dealt with AI in 2025 — as journalists trying to do our jobs, as people trying to make sense of a world that's suddenly more automated and somehow lonelier. And perhaps, what we might carry into 2026.
Media turned to machines
Indian media houses used AI quite visibly. Aaj Tak introduced Sana in 2023 and DD Kisan launched AI Krish and AI Bhoomi in May 2024 — tireless, always-on virtual presenters built for 24x7 news bulletins. They got more popular even as journalists raised questions about labour displacement and credibility.
But alongside the novelty came the mess. Media publications were called out for publishing articles that appeared to be copied verbatim from ChatGPT. The Economic Times published an AI-generated story about Trump's fake Obama arrest that invented a quote from disinformation expert Nina Jankowicz. She exposed what she called the "AI ouroboros" — her fabricated words looping into other AIs, eroding trust in Indian newsrooms chasing global ad revenue.
In my experience, giant-sized mess happens because newsrooms are under-resourced, underpaid, and under pressure to publish constantly. So when AI arrived promising speed, polish, and relief, it felt like the perfect unpaid intern who never sleeps. But it also showed up like a pickpocket in a crowd.
Globally, journalists are racing to adopt AI. A Thomson Reuters Foundation survey of over 200 journalists from the Global South found that over 80% use AI tools in their work, with nearly half integrating them daily. Meanwhile, the Reuters Institute's 2025 report found only 12% of the public are comfortable with fully AI-made news — rising to just 21% with human oversight.
So, the takeaway: journalists are using AI more than ever, while audiences trust it less than ever.
The inbox got shinier, the reporting got vaguer
AI became the tool of choice for reporters to send cleaner pitches, faster. Sometimes that's genuinely useful — clearer framing, tighter writing, fewer rambling emails.
But it also created a new species of problem: the pitch that looks perfect and tells you nothing.
Over the last year, I've read drafts where I could see the symmetry: polished paragraphs, confident tone, barely any reporting. I even went on LinkedIn to see if other editors felt the same, and the response was telling: many did.
Because AI doesn't know what matters in a story. It doesn't know which quote to keep — the one that reads well, or the one that sounds clumsy but carries emotion. It doesn't know that the colour of someone's shirt, the way they fidget, or how their home smells can carry as much weight as a statistic.
AI can make writing look like reporting. Which means editors now have a new job title: human lie detector.
And the part we don't say loudly enough: AI adoption in Indian journalism is wildly unequal. Some newsrooms have tool budgets, training, and legal oversight. Others are filing three stories a day, chasing unpaid invoices, managing basic access issues. In that world, AI isn't a democratising force. It's another divider.
And still, AI made some parts of the work easier
I'll admit something that would've made 2019-me deeply suspicious. I am a little less scared of long documents now.
This year, one of the most practical things I've used is Google's NotebookLM — the one genuinely useful tool that lets you upload sources and interrogate them. Because it's trained on your documents (not the internet's collective fever dream), it actually helps with the parts of journalism that quietly destroy your soul: policy drafts, legal annexures, 300-page PDFs that seem designed to make you abandon curiosity.
Journalists are using a range of AI tools. IJNet recommends Trint for transcription, Poynter suggests Otter.ai combined with ChatGPT for summarising, and reporters praise Pinpoint for document dumps and Claude for summarising with fewer hallucinations.
Used carefully, AI didn't replace thinking — it protected time for it. And in a country where power increasingly hides behind paperwork, that matters.
When pranks turned into panic
But AI also means messy. While some of us were learning to use AI responsibly, others were learning just how easy it is to create chaos.
In October, a 22-year-old journalism student in Lucknow used ChatGPT to add a leopard to a selfie taken on his balcony. He sent it to a WhatsApp group as a joke. Within hours, local police and forest officials were at his door after frantic calls from residents about a leopard on the loose.
The boy was let off with a warning. But the damage was done. Over the next days, more AI-generated leopard images spread across Lucknow's Rajni Khand, Ruchi Khand, and Ashiana neighbourhoods. Forest department officials had to scan hours of CCTV footage, create patrol teams working in shifts, and calm panicked residents.
All six or seven images that went viral turned out to be hoaxes. Forest officials eventually started using ChatGPT and other AI tools themselves to analyse the fakes — noticing pixels were too large, that the images looked like stock photos pasted onto local scenery.
It's darkly funny: we've reached the point where forest officials need AI to detect AI-generated leopards that were never there.
And while students were pranking their neighbourhoods, politicians were playing a far more dangerous game.
Archis Chowdhury's investigation for BOOM revealed how generative AI is being used to mass-produce cheap, fast, cinematic propaganda — content engineered to feel like proof, arriving when official information is scarce, filling the vacuum with high-emotion narratives.
This is the crucial shift: propaganda isn't only text anymore. It's atmosphere. It's mood. It's cinema. And cinema travels in India — especially when it arrives on WhatsApp without watermarks, without disclosure, with the confidence of a trailer.
Editors are now stuck with a brutal asymmetry: journalism is slow because truth is slow. Propaganda is fast because it doesn't need to be true.
The money problem nobody solved
Let's talk numbers, because they're absurd and crucial. Digital media now commands around 46% of India's ₹1 lakh crore advertising market, according to Crisil Intelligence. India's M&E sector crossed ₹2.5 trillion in 2024, per the FICCI–EY report, with digital continuing to grow.
And journalism? Survival is the only benchmark of success. Ad money doesn't reliably reach independent outlets. Platform distribution is fickle at best, hostile at worst.
Nieman Lab's predictions for 2026 are blunt: AI will not rescue journalism's business model. There will be no meaningful licensing windfall. The economics simply don't add up.
So what survives? Experts are betting on these, and I concur:
Original reporting. AI can rewrite. It can summarise. It cannot build trust over weeks or spot the tiny contradiction that cracks a story open.
Direct relationships. As platforms become unreliable landlords, Nieman predicts more media businesses will become "events businesses" — journalism that builds community through newsletters, memberships, gatherings has a fighting chance.
Editorial courage. Deciding what deserves time. Deciding not to chase the cheapest traffic. Deciding to publish the story that won't trend today but will matter six months from now.
I've watched Indian journalism shrink and mutate over the last decade— newsrooms collapsing, desks thinning, survival repackaged as "pivoting." 2025 didn't fix that. It amplified it.
But it also clarified something I find stubbornly hopeful: as the internet becomes more synthetic, real information becomes more valuable. And if AI makes content easier to produce, it also makes the difference between content and journalism easier to see.
I'm not a tarot card reader, but I know that in 2026, the outlets that survive won't be the ones that learned AI the fastest. They'll be the ones that used AI to protect time for reporting — and then defended that reporting with everything they had. The only thing that will save journalism is the humans who refuse to let it die.
For this issue, I asked my colleagues at BOOM to share their favourite read or watch of the year. Not “best” or “important”, just the one that stayed with them. Here’s the list (In their words).
Film: Humans In The LoopHamid: “A quiet, powerful film about tribal communities in Jharkhand training AI systems. It reveals the invisible, repetitive human labour behind “smart” technologies — real people doing work designed to disappear. Simple, honest, and deeply human, it makes you pause and rethink what AI truly stands on.” |
Investigative JournalismHow Google trained Gemini — and hid the humans behind it (The Guardian) Karen: This investigation shows how Big Tech distils expertise into neat AI summaries while stripping away context and labour. The human work behind AI is invisibilised to sell these systems as magic — and this story cuts cleanly through that illusion. |
Investigative JournalismLavender: The AI system Israel used to target Palestinians ( +972 Magazine ) Archis: Beyond its chilling account of automated mass killing and accepted error rates, this is a courageous piece of journalism. It pierces a secretive military establishment and documents how AI normalises brutality at scale. |
TV Show: When Life Gives You TangerinesDivya: If you want a story that feels like a warm hug at the end of 2025, this is it. Set against the bittersweet memories of Jeju Island, the show is a beautiful tribute to resilience, love, and healing. PSA: keep tissues handy. |
Books: Onyx Storm (Empyrean Series) & To Touch a Silent FuryRitika: 2025 was a romantasy year. While Onyx Storm lived up to the hype, To Touch a Silent Fury felt deeply underrated — a quieter book that deserved far more attention. |
![]() | Film: The RosesHera: Very few films capture love — or its erosion — after marriage. This one does, showing how affection can curdle into quiet cruelty. That honesty stayed with me. |
Book: The Midnight Library by Matt HaigYangchula: A story about regret, alternate lives, and choosing to stay. As Nora Seed moves through versions of who she could have been, the book gently insists there is no perfect life — only the one you decide to live. It left me feeling lighter, and unexpectedly hopeful. |
Film: SaiyaaraSwasti: Mohit Suri’s Saiyaara stood out for casting age-appropriate leads and letting young love feel young. I watched it twice — once in a theatre full of Gen Z audiences crying and laughing, and once later on Netflix. The second viewing made me realise something uncomfortable: my millennial brain needs fewer distractions now. Also, Bollywood doesn’t make enough romantic films anymore — and this reminded me why it should. |
Got a story to share or something interesting from your social media feed? Drop me a line, and I might highlight it in my next newsletter.
See you in your inbox, every other Wednesday at 12 pm!
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